When an insensitive tweet threatens Hampton DeVille's business, Jake and Matt are tasked with firing the employee who posted it.

Matt creates an impressive presentation to pitch Hampton DeVille's arms dealing bona fides to the CIA, while Jake takes advantage of the company's internal whistleblower app.

After his surgery, Jake's coworkers butter him up in the hopes that he'll share his prescription painkillers with them, and visions of a ghost haunt a sleep-deprived Matt.

Hampton DeVille partners with a street artist who vandalized the company's headquarters to sell anti-corporate merch and profit off its protesters.

From Pat Bishop, Matt Ingebretson, and Jake Weisman comes a dark, edgy look at life as a Junior-Executive-in-Training at your average, soulless multi-national corporation. Matt and Jake (Ingebretson and Weisman) are at the mercy of a tyrannical CEO Christian DeVille (Lance Reddick) and his top lieutenants, sycophants John and Kate (Adam Lustick and Anne Dudek). As Matt and Jake navigate an ever-revolving series of disasters their only ally is Hampton Deville Human Resources rep Grace (Aparna Nancherla). Executive produced by Ingebretson, Weisman, Bishop, who will also direct and Jake Fogelnest

Matt and Jake struggle to convince a coworker to wear a shirt on Casual Friday, and Christian seeks to strike a deal with a group of megachurches.

Forced to take charge of a meeting after Christian gets a call, John and Kate trap the staff in the conference room without their phones until they finish brainstorming.

As the staff obsesses over a prestige TV show, Jake resists their attempts to force him to watch, while Matt's life starts to eerily echo the events of the series.

John pressures Jake and Matt into helping him move a grandfather clock in his apartment, sabotaging their weekend plans.

Matt copes with his family trauma by throwing himself into the office holiday party, Christian questions his worldview, and Jake considers leaving the company.