According to the police, Negar's father committed suicide. Having had a happy life, Negar suspects that his death has not happened the way it seems. She starts unfolding the truth through an unconventional investigation.
As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s, a mysterious evil begins to haunt their home.
On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young women sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife's suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai? Written by [email protected]
Nader (Peyman Moaadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by Amin Davoodi
Forced to leave their collapsing house, Ranaa and Emad, an Iranian couple who happen to be performers rehearsing for Arthur Miller's "Death of a Salesman" rent a new apartment from one of their fellow performers. Unaware of the fact that the previous tenant had been a woman of ill repute having many clients, they settle down. By a nasty turn of events one of the clients pays a visit to the apartment one night while Ranaa is alone at home taking a bath and the aftermath turns the peaceful life of the couple upside down. Written by Hossein sr
Soniya is going to be a first grader and she is happy for this however she faces this reality that to go to school she has to wear what she does not like.
Teenager Amir is constantly dodging trouble while dealing drugs in the underbelly of Mumbai. Following a drug bust, he evades the cops and ends up on the doorstep of his estranged sister Tara. Complications from concealing Amir land Tara in jail, but she still sees her brother as her only hope of living in the outside world again. While their lives have been darkened by despair, hope may shine from beyond the clouds.
A politically complacent middle-aged man and a young pro-democracy activist debate about the future of their country while hiding from the police, in this fascinating drama that blends scripted scenes with on-the-ground footage from Iran’s 2009 Green Revolution.
Coming back to accomplish the divorce procedure, Ahmad an Iranian man, arrives in Paris after four years to meet his ex-wife and her daughters from her previous marriage. He notices his ex is in a relationship with an Arab named Samir who also has a son and a wife in a coma. The relationship of the older daughter and her mother is in deterioration because the daughter thinks her mother is the cause of Samir's wife comatose state. The affairs get more complicated when the older daughter discloses something heinous she has done. Written by Hossein sr
Zohre's shoes are gone; her older brother Ali lost them. They are poor, there are no shoes for Zohre until they come up with an idea: they will share one pair of shoes, Ali's. School awaits...
Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience. Written by Anonymous
Khorshid lives with his mom in a house near a river somewhere in Tajikistan. Th landlord comes around every morning to ask for the rent. Khorshid has to provide the money or else they'll have to leave. His blindness has given him an amazing skill in tuning musical instruments which gets him a job at an instrument making workshop. But the problem is That Khorshid is mesmerized by sonorous music all the time; whenever he hears a great musician play, he loses track of time and place. For this, he always gets lost and gets to work late. How is he going to make a balance between his love of music and his task as a breadwinner?
When you are a filmmaker and you are not allowed to direct movies any more, you have to retrain. So why not become a taxi driver? Or better, why not pretend you are a taxi driver and make a film despite everything? This is what Jafar Panahi has done. Now he invites you to get into his cab for the price of a cinema ticket, to ride through the streets of Tehran and discover its people in the persons of his various passengers. Written by Guy Bellinger
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two clean the rug. This young woman belongs to the clan whose history is depicted in the design of the gabbeh, and the rug recounts the story of the courtship of the young woman by a stranger from the clan. Written by Mike Myers [email protected]
Documentary - War zone borders, engine trouble and the difficulties of making money to survive couldn't outweigh the thrill of adventure and discovery Daniel Rintz encountered while motorcycling around the world for two and a half years.
Akbar has just turned eighteen. He has been held in a rehabilitation centre for committing murder at the age of sixteen when he was condemned to death. Legally speaking, he had to reach the age of eighteen so that the conviction could be carried out. Now, Akbar is transferred to prison to await the day of his execution. A'la, a friend of Akbar, who himself has undergone imprisonment for burglary, soon after his release tries desperately to gain the consent of Akbar's plaintiff so as to stop the execution. Written by Anonymous
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it's "taking a sweat." In England, it's "having a kick-about." In Brazil, the word is “pelada,” which literally means "naked"—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
Since women are banned from soccer matches, Iranian females masquerade as males so they can slip into Tehran's stadium to see the game between Iran and Bahrain. The ones who are caught and arrested are taken to a holding area and guarded by soldiers. One sympathetic soldier agrees to watch the game through a peephole and recount the action to the impatient fans.
The story is about a family of three brothers and a sister in the suburbs of the city's poverty. Their elder brother owns a drug-producing kitchen and presides over the group, like a shepherd for sheep.
Surrounded by fans and skeptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
The Night is a psychological thriller that follows an Iranian couple, Babak and Neda, and their one-year-old daughter, Shabnam. Returning home from a friend’s gathering, Babak drives drunkenly, too stubborn to let Neda drive with a suspended license. When Babak’s driving threatens the safety of the family, Neda insists they stay the night at a hotel. Once they check-in, Babak and Neda find themselves imprisoned, forced to face the secrets they've kept from each other. And though the clock moves forward, “the night†never ends.
Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided - she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
A government bodyguard protects a politician from a suicide bomber, and then begins to question his dedication to his job.
The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.
Banned in Iran this experimental film uses fictionalized, grainy, home video footage to tell the story of the abusive relationship between a successful middle aged Iranian businessman and his 18 year old wife, Goli. She has just received a camcorder as his birthday present and the entire story is told from the view of this camcorder. Goli has lived with him and been his sex slave since he took her captive as a nine year old from her family in the Kurdish rebellion. Now she is pregnant, but as she starts to talk back to him and he discovers that she has learned English and started to read, he again is making her more and more a prisoner in his home.
A collection of 24 short four-and-a-half minutes films inspired by still images, including paintings and photographs. An experimental project made by filmmaker Abbas Kiarostami in the last three years of his life.
Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.
This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs & old generation. This is a failing battle because the man is not strong enough.
A kidnapped family man's situation gets worse when he learns his captors are the last descendants of the Dracula family who fled Russia after World War II. The man and Dracula form an unlikely and dangerous friendship.